Gerbil Atlas Explorer

723 structures across 62 coronal plates · Meriones unguiculatus

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The nearest printed labels, ranked by 3-D distance.

Experimental. A straight track to where a structure’s abbreviation is printed, measured against a brain surface traced off the drawings. Check it against anatomy you know before you drive by it.

No target yet.

Approach — the angles to set on the arm

Offset — where to aim relative to the label

Probe and footprint — optional: the whole shank, or a volume about the target

sphere volume

A note is a point on a plate with a line of text: an electrode tip found in the histology, a lesion, somewhere to come back to. Tick Notes over the plate, press Add and click where it belongs; click a marker to edit it. Notes stay in this browser unless you export them.

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Plate 30

Before you start

The atlas is not ours. Every structure, abbreviation, coordinate and plate here comes from Radtke-Schuller S, Schuller G, Angenstein F, Grosser OS, Goldschmidt J, Budinger E (2016). Brain atlas of the Mongolian gerbil (Meriones unguiculatus) in CT/MRI-aided stereotaxic coordinates. Brain Struct Funct 221(Suppl 1):1–272, doi:10.1007/s00429-016-1259-0 · open access. That is the work to read, and the work to cite.

Some regions are drawn wrong. The outlines you can select, measure, color and export were cut from those published drawings by this repository’s own code rather than taken from the authors, so a boundary can sit in the wrong place, a region can take in ground that is its neighbor’s, and a structure the atlas prints on a plate can come out with no area on it at all. The printed plate underneath every overlay is the authority; an outline is this site’s reading of it.

And it is still being built. What is experimental says so where it is; the rest is still moving. Check anything you are about to act on against anatomy you already know.

Report what looks wrong. The footer of this page carries Report a drawing error, which opens a report with the region, the plate and what the page already knows about how that boundary got there filled in — and beside it Request a feature, Report an issue, and About the data, which is the long form of this note.

About the data

Source

Structure–plate assignments are taken verbatim from the authors’ published Index of structures (structure, abbreviation, plate range), not from OCR of the plates: Radtke-Schuller S, Schuller G, Angenstein F, Grosser OS, Goldschmidt J, Budinger E (2016). Brain atlas of the Mongolian gerbil (Meriones unguiculatus) in CT/MRI-aided stereotaxic coordinates. Brain Struct Funct 221(Suppl 1):1–272. doi:10.1007/s00429-016-1259-0 · open access.

The three plates of a level

The atlas prints every level three times: the Nissl-stained section, the Gallyas myelin-stained section from an adjacent section beside it, and the labeled drawing traced over them. All three are here, and Labeled / Nissl / Myelin above the plate switches between them.

A fourth button, MRI, shows the atlas’s own reference MRI — the imaging half of the “CT/MRI-aided” in its title. It is already in the atlas’s coordinates, one slice per plate, so everything drawn over a plate is in the right place on it too. Two things it is not: it is the whole head rather than a cut section, so there is skull, scalp and eye in the picture; and its voxels are 117 µm across against the drawing’s 18, so it is soft wherever the drawing is sharp. Unlike the other three it is fetched rather than carried inside the page, so this file has it only when it sits beside a data folder.

They are registered to each other by construction, not by fitting. Every one of the 186 pages carries the atlas’s own printed ML/DV coordinate box, and each was cropped to its own box, so all three land in the same coordinate space — the same space the 6,336 label positions are recorded in. That is what makes the switch worth having rather than decorative: the grid, the scale bar, the measure tool, the coordinate lookup and the outlined structure are all still in the right place on a section with no labels printed on it, and hovering where the drawing prints an abbreviation still names it. Checked by re-deriving the labeled plates the same way and landing on the ones already in this file, pixel for pixel, on 61 of 62 (the remaining one is out by a single pixel).

Gray takes the color out of the drawing so the three read alike; the histology was published in gray already. Contrast stretches whatever is showing, and both carry into the PNG export. The 3-D view is built from whichever source is selected there — the Nissl unless you say otherwise — and stretches it in the renderer instead, with Floor, Ceiling and Gamma windowing the tissue channel before Density decides how opaque what survives is drawn.

The myelin section is an adjacent section, not the same one: the two stains cannot be applied to a single slice. It is aligned as the authors published it.

Coordinates

Plate AP coordinates were read from all 62 plates and match the printed series exactly (bregma +7.80 mm at plate 1, −0.35 mm per plate; lambda = bregma + 4.45; interaural = bregma + 7.25; occipital crest = bregma + 9.95). Sections are coronal, at 350 µm intervals.

ML and DV are read off each plate’s own printed coordinate box (ML ±8 mm, DV +1 to −10 mm), which the frame-relative cropping makes common to all 62 plates; midline structures land within 0.2 mm of ML 0 and bilateral pairs come out symmetric. A coordinate given for a structure is the median of its printed labels, which sit near — but not exactly at — its centroid.

Gross divisions

The atlas names 723 structures and no containers for them — there is no “hippocampus” in its index, only CA1, CA2, CA3, DG and their layers. Twenty-one divisions are added here and sit above the structures in the list. Pick one and it behaves like a structure: outlined on the plate in teal rather than blue, shown on every plate it is on, plotted in the projection, drawn in 3‑D as its members’ meshes, and carried by a link.

A division has no geometry of its own. Its outline is its members’ outlines with the boundaries they share dropped, its area the sum of theirs, its coordinate the median of their printed labels — so it can never show a line the atlas does not draw. List them narrows the structure list to one division’s members, which is what the CSV and Labels exports then write; a structure’s own card says which divisions it is in.

Divisions overlap on purpose: the brainstem is the midbrain, pons and medulla together, the olfactory bulb sits inside the olfactory areas, and the four cortical lobes inside the cerebral cortex — so two divisions’ areas do not add. Which structures make up a division is a judgement made here, not something the atlas publishes; every member of every one of them is written out in data/gerbil_atlas_groups.csv, and Methods says how each was drawn.

Nine structures the atlas draws under their parts’ names on some of the plates the index lists them on: the claustrum is Cl on plates 12–15 and 27, and DCl and VCl — never Cl — on 16–26. The whole’s card says which parts it is drawn as and where, a part’s card says whose part it is, and on such a plate the whole is not “not located”: the plate says the atlas draws it as its parts there. The table is data/gerbil_atlas_parts.csv; it is a reading of what the plates print, not a judgement, and it is admitted only where the published index puts the whole.

The section as a map

Color regions over the plate fills every region on it, and no two regions that touch are given the same color — the section colored the way a map of countries is. It shows the whole partition at once: where one structure stops and the next starts, how much of the section each holds, which of them are neighbors. On the Nissl, the myelin and the MRI, which carry no printed lines at all, it is the only view that shows any of that. Wash sets how strongly the colors are laid on; the plate is underneath them at every setting, and both ride into the PNG and the SVG.

Touching is read off the extents themselves — two regions share the vertices of the boundary between them — and a gap thinner than 0.05 mm counts as touching too, because a lamina a pixel or two wide is not a boundary the eye can find, and one color on both sides of it would read as one region.

A color means nothing beyond “not my neighbor”. It is not a system, a division or a value: two regions of the same color on one plate have nothing in common except that they do not touch. What a color does do is stay put — each region asks for the same color on every plate it is drawn on and gets it wherever a neighbor has not already taken it, which is about half the time, so stepping through the levels is not a kaleidoscope and the same plate is the same picture every time it is opened.

Nothing is drawn that the atlas does not draw. The fill is the region extents, which are cut from the atlas’s own lines, and it carries no outline of its own — the only edge it makes is where one color stops and the next begins. Where the atlas draws no boundary between several names, those names share a color rather than being split by one, because a color change is a boundary and that split is not a line this atlas has: on plate 30 the mediodorsal thalamus is one patch, on plate 54 the cerebellar lobules it prints inside one line are one patch. The faces the atlas seals and names nothing inside are left unpainted, because there is no region there to color. Five colors would do 58 of the 62 plates and six the other four; the palette holds seven, and the spare ones go to the regions that ask for them.

Your own frame

Rotation is experimental. Pitch, roll and yaw are new and not yet fully tested. Check any coordinate they adjust against anatomy you already know before relying on it. Moving the origin is not in that category: it is an exact subtraction.

The atlas is cut perpendicular to the brainstem axis, which is not how a head sits in any particular stereotaxic frame. Frame in the header takes a pitch, a roll and a yaw about a pivot you choose, and restates the structure card, the pointer readout, the coordinate lookup and the CSV export in that frame, keeping the atlas figure beside each one.

It can also be told where zero is, and that part stands on its own. Name bregma, lambda, the interaural line or the occipital crest and give an offset from it — the offset is how a zero that is not quite on a landmark gets said, such as half a millimeter behind lambda — and every coordinate is measured from that point, with the readouts labeling AP by the landmark it now comes from. Moving zero moves no point, so the projections read their axes from it too and the measure tool needs no caveat; leave every angle at 0 and that is all the frame does.

The landmark carries an AP and nothing else, because that is all the atlas prints for it — but a Height button beside the offset will fill DV in from the fitted skull. That is what the interaural line needs to be usable as a zero: it is the ear-bar axis rather than a point on the brain, about 9 mm ventral to the dorsal plane the atlas measures DV from, so with the height set the readout becomes ordinary interaural coordinates — AP behind the ear bars, DV up from them. The same row under the Pivot puts a rotation on that axis instead of on a parallel one several millimeters too high. The APs stay the atlas’s own and exact; the heights inherit the skull fit’s approximation, and say so.

A rotation is the part that has to be hedged. While one is set, the grid and the measure tool stay in atlas coordinates and say so. Note too that a plate then stops being a single AP: at 17° of pitch the AP of a point drifts about 2.5 mm between the top and the bottom of the brain, which is why the readout gives an AP per point. It is a rigid rotation of the published numbers and not a resectioning — no oblique plate is drawn, or could honestly be drawn, from a series sampled 350 µm apart.

The projection and the 3-D view are the two that can do more than disclaim a rotation, because both draw points rather than pixels: an In frame box appears in the toolbar of each as soon as an angle is set, and ticking it turns the cloud and the stack into your frame, so up on the screen is your frame’s DV and the axes are the ones the manipulator drives. One tick serves both — they are two pictures of the same brain. Untick it and they are back in the atlas’s orientation, which is the one every published figure is in. Turning a view is still not a resectioning: the same 62 coronal sections are stood up at an angle, not recut. The skull outline and the landmark rules come along, but neither is simply turned: the outline of a turned skull is not the turned outline of one, so the fitted skull is flattened again at your frame’s angle, and a landmark’s coronal plane, once tilted, is drawn where it cuts the midline (sagittal) or the horizontal through the landmark (top-down) — on the vault, or for the interaural line the ear-bar axis.

Planning a track

Experimental. New, and not yet checked against a track anybody has actually driven. Read a plan against anatomy you know before you rely on it.

Plan a track in the side panel takes a structure, a hemisphere and three approach angles, and gives the entry point, the angles to set on the manipulator and the distance from the brain surface to the target — drawn live on the plate, the projections and the 3-D view, and carried in the link so a plan can be sent to someone or reopened later.

The angles are in your working frame, not the atlas’s. That is the point of them: the atlas is cut perpendicular to the brainstem axis, and an angle quoted in atlas coordinates is one nobody can dial into a manipulator. Set a frame above and the plan moves with it. Because the track is put back onto the plates to be drawn, the picture stays exact in any frame — this is the one tool here that a rotation does not force into atlas coordinates.

Tilt drives the tip anterior, roll drives it to the right, and yaw turns the heading those two aim in — applied in that order. A straight probe spun about its own axis points where it pointed before, so with tilt and roll both at 0 the yaw has nothing to turn and the app says so rather than leaving a control that will not move.

The brain surface is the outline of the section on the nearest plate, traced off the atlas’s own drawings by the same flood fill the 3-D view runs. It reaches DV 0 and does not cross it, which is where the atlas defines that plane, and 97.8% of the printed labels fall inside it. But it is the outline of a fixed, sectioned brain, not the surface under intact dura, and the sections are 350 µm apart, so an entry AP is quantized at that spacing however smooth the line looks. Nothing is interpolated between plates.

And the target is the median position of the printed abbreviation, not the structure’s centroid — the caveat that runs through everything here, and that matters most in a tool that invites this much trust. The plan knows nothing about vasculature, the sinus or the ventricles, and does not check the entry against the skull.

Which plate, and how far off the label. A structure that spans a dozen sections is labeled on each of them, and the median of all those labels is a point somewhere in the middle of the structure rather than a point on the section anybody is aiming at. Take the label from names one plate and reads that section’s labels alone; picking a plate also turns the viewer to it. Below the angles, the three offset boxes move the aim off the label — 0.2 mm dorsal to VO on plate 13, say — and the plan then prints the label and the target as separate rows, so the point the numbers were measured from stays readable beside the point they are about.

The offset is in atlas millimeters, not the working frame’s, and this is the one place in the planner where that is true. Naming a target is anatomy: dorsal has to mean dorsal in the brain rather than up the manipulator’s own axis, or an offset would mean something different at every pitch. Lateral is taken toward whichever hemisphere is chosen, so the two sides stay mirror images. Everything downstream — the entry, the angles, the drive — is still in your frame; the boundary between the two is exactly the point where the target is named.

Caveats

System tags (auditory, hippocampal, …) are a convenience layer added on top of the published nomenclature, not part of the original atlas, and the gross divisions are the same kind of addition and a larger one — which structures make up “the pons” is a judgement made here. A structure listed for a plate range is present at those levels; it is not necessarily labeled on every plate. Label positions come from OCR — where one was not located, the app says so rather than showing nothing.

Not every name has an outline. The regional outlines are cut from the atlas’s own drawing, and the drawing sometimes puts several names inside one boundary and prints nothing between them — the cerebellar lobules and the white matter running through them, the mediodorsal thalamus, the lateral hypothalamic zones. Those structures are still found, listed, measured and modeled, but no outline is drawn for them: hovering or selecting one highlights every place the plate prints its name instead, and the tip says why. An outline there would be a boundary this atlas does not have, and a dashed one would still read as a boundary. Where the atlas does draw the boundary but faintly enough that the extraction had to infer part of it, the outline is drawn dashed and the tip gives the share of it that is really printed.

The 3-D view

The plates are already in one common coordinate frame, so they can simply be stacked where they belong: each section is drawn at its own bregma. The view opens on the Nissl because tissue is what a volume is made of: density reads as density, where the labeled drawing’s contour ink and printed abbreviations stack into a haze with a brain somewhere inside it. The plate view still opens on the drawing, and either can be switched, which is the pairing having two views is for. Volume, which is what the view opens in, ray-marches that stack and shows the brain as a solid; Contours draws the sections themselves, one textured plate at a time, which is the honest picture of what the stack is — 62 sections and the gaps between them — and at the default angle 62 cards seen nearly edge-on, which is why it is not the first thing you see. Labels plots all 6,336 printed abbreviations as a stereotaxic point cloud — the projection views with the third axis put back. Nothing extra is downloaded; it is built from the plate images already on the page, the first time you open it — and once more for a second staining, since the staining belongs to the pane: Split can hold a Nissl stack beside a myelin one, the same 62 levels stacked twice and turned together, which the atlas itself can only offer as two pages you turn between. Ortho swaps the perspective camera for a parallel one: nothing is foreshortened, so equal lengths read equally wherever they sit in depth, which is what you want when comparing positions rather than looking at the brain. View puts the camera on an anatomical axis — left, right, rostral, caudal, dorsal or ventral — and a link copied from a named view opens on it. Caudal is the one that reads the same way round as the printed plates, which are drawn as seen from behind.

Two things to keep in mind. Sections are 350 µm apart but a plate pixel is about 17.5 µm, so sampling along the brain is 20× coarser than across it: the stack really is discrete, and the streaking in the volume view is interpolation between slices, not anatomy. And a label point marks where an abbreviation is printed, which for thin layered structures is often just outside the structure itself. Most structures carry only a handful of points — six is the median — so a single structure reads as a sparse arc rather than a shape. Nothing here is a segmentation.

Skull draws a CT skull around the atlas: a translucent shell in 3-D, a trace on the current plate, an outline around either projection. Experimental — the alignment is approximate.

The atlas prints no skull, so the fit is computed rather than published. The scan is a different animal, aligned first on the paper’s own landmarks (the coronal suture for bregma, the ear canals for the interaural line); the tilt, height and the three axis scales are then set by the drawn sections of all 62 plates, which get the last word. Because the two animals are not the same shape, the scales differ a little by axis — the skull is stretched about 3% along AP and 4% across, and shortened 4% in depth, to seat the vault on the cortex. Good to a few tenths of a millimeter. Context around the sections, not a surface to measure against.

Landmarks marks bregma, lambda and the occipital crest on the plate whose plane they fall in, and draws the interaural line — solid where it lies in the plane, dashed elsewhere as the ear-bar height. On the projections all four become reference rules. In 3-D they stand where they actually sit: each landmark’s coronal plane as a rule up the midline, a cross on the vault at bregma, lambda and the occipital crest, and the interaural line as the ear-bar axis it is, running laterally right through the head and out the other side, with a ring where it passes each canal. That is the one view where it is a line rather than a point, and it is drawn through the brain rather than behind it, because an ear bar is not hidden by the head it goes into. The AP of each is the atlas’s own printed figure and exact; only the heights, and the ear canals the rings mark, come off the skull fit, so they inherit its approximation. Where the bar ends is a drawing choice and nothing measured: it is carried clear of the widest bone so it reads as a bar going into a head rather than a chord inside one. Full method.

The SVG export

SVG saves the same sheet PNG does, but with the plate as vector paths instead of a photograph: the regional outlines, traced off the printed plate, with whatever overlays were showing and the same caption. Every part is a named group — outlines-solid, outlines-dashed, region-colors, grid, skull, landmarks, highlight, measure, track, query, notes, caption — so a figure can be restyled or cut down without redrawing anything. About 10–80 kB.

The tracing was done on the published pages at 3296 × 2481 px and is kept in that frame; each plate carries the matrix that puts it on the 1100 × 703 crop everything else here measures in. That matrix is not assumed from the page layout — it is fitted to each plate’s own printed ink, which is what catches the pages the journal set sideways or off-center — plate 20 is printed at a quarter turn, and plate 31 comes out 47 px low in the plate frame, the same displaced figure the plate crops already correct for. Every plate lands within 1.8 px of its own drawn lines, about 0.03 mm, so the outlines sit where the grid and the measure tool say they do. The section image is not in the file: this is the drawing, not the histology.

Getting around

← →
step through plates
+ − 0
zoom in, out, and back to fit
drag in 3-D
orbit — which leaves any named view; shift-drag or right-drag to pan, wheel to zoom
Home End
the first and the last plate
/
jump to the search box
?
open this panel
C
the view’s controls — everything the bar above the picture does not have room for. They dock beside the view, as a column where there is width for one and a row above it where there is not, so the picture is re-fitted around them rather than covered. Advanced inside them holds the contrast, the tone curve and the slab: the settings you make once.
two fingers
pinch the plate to zoom, anchored between them; pinch back in to fit. One finger drags once you are in. The − / + / Fit buttons are there for a mouse, on a window wide enough to spare them the room.
i on the picture
what this view is showing, and how to read it
F
give the view the whole window — the search column, the header and the browser’s own chrome go, and the plate, the projection or the stack takes the room. Esc comes back.
Compare
a second plate beside the first, sharing zoom, pan and crosshair
Color regions
the whole section filled, no two neighbors alike — the colors tell them apart and mean nothing else
Notes
your own markers, kept in this browser; export them as JSON to keep them
Meshes
in 3D, the structure as a closed surface interpolated between its plates
Esc
come back from the maximized view, drop the selection, or clear a measurement
double-click
zoom into the plate at that point; drag to pan
hover a label
read its full name; click it to select that structure
Ctrl-click
add a region on the plate, or a row in the results, to the selection, or take it out; ⌘-click on a Mac. Each is outlined on the plate, the card stays on the first

This build

Spotted an error in the atlas data, hit a bug, or want a new feature? Raise an issue on GitHub. Build {{BUILD_HASH}}, .

Working coordinate frame

Rotation is experimental. Pitch, roll and yaw are new and not yet fully tested — check any coordinate they adjust against anatomy you already know before you rely on it. Origin below is not in that category: moving zero is an exact subtraction, and with every angle left at 0 that is all this dialog does.

The atlas is cut perpendicular to the brainstem axis. If your stereotaxic frame holds the head at any other angle, describe that angle here and coordinates will be read in your frame rather than the atlas’s. If all you want is to read from lambda instead of bregma, skip to Origin and turn the frame on.

Orientation

Applied about the pivot, in the order yaw, pitch, roll. Rotations do not commute, so the order is part of the definition — though at a few degrees of roll and yaw it makes no difference you could measure.

From measurements

Take two readings off the skull with the electrode; the angle is atan(difference ÷ separation). Use the widest span the skull gives you — a 0.1 mm depth error is 1.3° over the 4.45 mm from bregma to lambda, but only 0.58° over the 9.95 mm to the occipital crest.

Origin

Where your zero is. Drive to a landmark with the head already in the frame, zero the manipulator there, and name it here: that point then reads 0 / 0 / 0 and every coordinate is measured from it. Lambda in place of bregma is the common case, and needs nothing but the dropdown.

The three numbers are an offset from the landmark, not an absolute coordinate, so a zero that is not on a landmark can still be named by the nearest one: lambda with an AP offset of −0.50 is half a millimeter behind lambda. Anterior, right and dorsal are positive, as everywhere else here. Leave them at 0 and zero is the landmark itself.

Left on the atlas origin nothing changes: zero stays wherever the rotation carries bregma, which is what the pivot below decides. Name a landmark instead and the pivot stops mattering — rotating about any point and then re-zeroing on the origin is the same as rotating about the origin.

The landmark itself sets AP only, for the reason a pivot preset does: the atlas prints an AP for each of these and neither an ML nor a height. On those two axes the offset is the whole story — leave DV at 0 to zero on the brain’s dorsal surface, or enter the depth you actually zeroed at.

The Height buttons fill that DV in for you, and they matter most at the interaural line. That landmark is not a point on the brain or on the skull: it is the ear-bar axis, and it runs about 9 mm ventral to the dorsal surface the atlas measures DV from. Zero on it with DV left at 0 and every depth is out by that much. Put the height on the ear-bar plane instead and the readout becomes ordinary interaural coordinates — AP behind the ear bars, DV up from them, which is what an atlas that prints interaural AP alongside bregma is inviting you to work in. For the other three landmarks the button offers the skull surface at that point, for a zero taken on bone rather than on dura.

The AP is the atlas’s own and exact; the height is not. No height for any of these landmarks is published, so it is read off the same approximate skull registration the Skull overlays use — good to a few tenths of a millimeter, before animal-to-animal variation. The field stays yours: measure your own ear-bar depth and type it in preference to the button.

Pivot

The point the rotation turns about — in practice, wherever you zero the manipulator. It matters more than the angles do, because a coordinate moves further the further it sits from the pivot.

The default 0 / 0 / 0 is the atlas origin: bregma in AP, the midline in ML, and in DV the plane through the most dorsal points of cerebrum and cerebellum — the brain’s surface, not skull bregma. The two differ by roughly the skull thickness, so move the DV pivot if you zero on bone.

A preset sets AP and ML, because the atlas prints an AP for every landmark and a height for none; the Height row under the fields sets DV separately, and appears once the pivot's AP is on a landmark. It matters most for the interaural preset. Pitch turns about a mediolateral axis, so that preset is the ear-bar axis only once DV says how far below the dorsal surface the axis sits. Left at 0 the rotation happens at the brain’s dorsal surface instead — a parallel axis some 9 mm too high, which at 17° of pitch moves MSO by 2.6 mm in AP. As in Origin, the AP is the atlas’s own and the height comes off the approximate skull fit.

Pitch alone ignores the pivot’s ML, so a preset puts it on the midline. Roll and yaw do use it.

Offset

A pure translation, added after the rotation. A dura-versus-skull DV zero belongs here.

Check the signs

Nothing in the atlas records which way your frame is tilted, so the app cannot check a sign for you. Read this line against a structure you already know — if a coordinate moved the wrong way, negate the angle.

What it changes

Adjusted: the structure card, the pointer readout on the plate, the coordinate lookup and the CSV export. Left in atlas coordinates while the frame is rotated: the 1 mm grid and the measure tool — each says so while it is on.

Yours to choose: the projection and the 3-D view. Set an angle and an In frame box appears in the toolbar of each; tick it and the label cloud and the section stack are turned into your frame, so up on the screen is your frame’s DV. The two share the one setting. Leave it unticked and both stay in the atlas’s orientation, as they always have. A turned view is the same rigid rotation as every number above it — the 62 coronal sections stood up at an angle, not recut — and the skull outline and landmark rules turn with it: the outline is the fitted skull flattened again at your angle, and each landmark rule is where its turned coronal plane cuts the plane the view is taken through.

An origin on its own is the exception, and deliberately so. Moving zero moves no point: every distance and every angle is the one the atlas printed, so the projections and the 3-D view read their axes from your origin too, and the measure tool needs no caveat, with no box to tick and nothing to weigh.

Readouts name what AP is measured from — lambda rather than AP — whenever an origin is set, and the atlas figure stays beside them as always.

A plate is no longer a single AP once the frame is tilted: at 17° of pitch the AP of a point drifts about 0.29 mm per millimeter down the plate, some 2.5 mm across the depth of the brain. That is why the readout gives an AP for the point under the pointer rather than one figure for the whole plate.

This is a rigid rotation of the published coordinates, not a resectioning: no oblique plate is drawn, because plates are 350 µm apart against about 17.5 µm within a plate, so a cut at an angle would be interpolation rather than anatomy. Treat an adjusted coordinate as a targeting aid carrying the atlas’s own error — a label marks where an abbreviation is printed — plus your alignment error and animal-to-animal skull variation.

Report a drawing error

What the report will carry

In your words

Open on GitHub

Opening GitHub files nothing. It fills in a new issue and leaves it to you to read over and press Submit there, or to close the tab. Submitting one needs a GitHub account, and puts what you wrote on a public tracker — so if you would rather not, Copy the report puts the same text on the clipboard to send however you like.